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"You may," says Mona, bracing herself for the ordeal.,

Her tone is only too significant. His face has grown black again. A heavy frown sits on his brow.,

A strong shudder runs through her frame; she grows a little heavier in his embrace. Seeing she has fainted, he lifts her in his arms and carries her out of the room.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.

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Soon the magpie flew away, and as he passed near the herd of buffalo he saw the young woman there, and alighting on the ground near her, he began to pick at things, turning his head this way and that, and seeming to look for food. When he was close to the girl he said to her, "Your father is waiting by the wallow.",

Mr. Rodney's face being of that rare kind that is as tender as it is manly, and by right of its beauty demands confidence, the old man (who dearly loves his own voice) is encouraged to proceed.,

This old woman, by hard work and sacrifice, had managed to rear the boys. She tanned robes for the hunters, made them moccasins worked with porcupine quills, and did everything she could to get a little food or worn out robes and hide, from which she made clothes for her boys. They never had new, brightly painted calf robes, like other children. They went barefoot in summer, and in winter their toes often showed through the worn out skin of their moccasins. They had no flesh. Their ribs could be counted beneath the skin; their cheeks were hollow; they looked always hungry.,

"There can be scarcely any question about that," says Lady Rodney, unwilling to let any occasion pass that may permit a slap at Mona.